[A] article; [B] book; [CH] book chapter; [CP] conference paper; [ED] editorial work; [I] interview; [R] review; [RP] report; [S] survey.

Forthcoming:

[B] A. Bentkowska-Kafel and L. MacDonald (eds), Digital Techniques for Documenting and Preserving Cultural Heritage, Arc Humanities Press, 2017. The book details and information how to order a paper copy can be found on the Arc Humanities website. The e-book version is an Open Access publication available under a CC BY-NC-ND licence. Comments can be posted on the book website which includes abstracts, figures and contributors’ biographies.

[CP] Anna Bentkowska-Kafel, Julio M. del Hoyo Melendez, Aurore Mathys and Vera Moitinho de Almeida, ‘Virtual Numismatic Museum. A Case Study in Presentation of Spatial and Spectrometric Records of Silver Roman Denarii’, Proceedings of ARQUEOLÓGICA 2.0 – 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation, Universitat Politècnica de València, 5–7 September 2016.

[CH] “The Virtual Museum. The concept and transformation”, Culture, Technology and the Image, ed. Jeremy Pilcher, Intellect in association with CHArt.

2016

[CP] F. Boochs, A. Bentkowska-Kafel and S. Wefers, ‘Interdisciplinary Dialogue Towards an Enhanced Understanding of Optical Techniques for Recording Material Cultural Heritage – Results of a COST Action‘, Proceedings of the 14th EUROGRAPHICS Workshop on Graphics and Cultural Heritage, held at the the CNR Area della Ricerca, Genova, Italy, 5-7 October 2016. ACM Journal on Computing and Cultural Heritage, Edited by C. E. Catalano and L. De Luca, available at http://dx.doi.org/10.2312/gch.20161412

[CP] A. Bentkowska-Kafel, J. M. del Hoyo Melendez, L. MacDonald, A. Mathys, V. Moitinho de Almeida, “Colour and Space in Cultural Heritage in 6Ds. The interdisciplinary connections”, ‘Keep the Revolution Going’ (CAA 2015), Proceedings of the 43rd Conference on Computer Applications and Quantitative Methods in Archaeology, held at the University of Siena, 30th March–3rd April 2015. Edited by Stefano Campana, Roberto Scopigno, Gabriella Carpentiero and Marianna Cirillo. Oxford: Archaeopress, 2016, pp. 953-962. ISBN 9781784913373. Open Access paper (PDF), ISBN 9781784913380; CAA 2015 Book of Abstracts, p. 246.

2015

[A] ‘Debating Digital Art History’, International Journal for Digital Art History, 1 (2015), pp. 5–65, (print and online)

2014

[A] Boochs, F., Bentkowska-Kafel, A., Degringy, C. et al., ‘Colour and Space in Cultural Heritage: Interdisciplinary Approaches to Documentation of Material Culture’, International Journal of Heritage in the Digital Era, Vol. 3, No. 4, 2014, pp. 713-730.

[CP] Boochs, F., Bentkowska-Kafel, A., Degrigny, C. et al., ‘Colour and Space in Cultural Heritage: Key Questions in 3D Optical Documentation of Material Culture for Conservation, Study and Preservation’. Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. Proceedings of the 5th International Conference, EuroMed 2014, Limassol, Cyprus, 3–8 November 2014. Edited by M. Ioannides et al., LNCS 8740, pp. 11–24. Lecture Notes in Computer Science Volume 8740 (2014). Springer International Publishing Switzerland. A Werner Weber Best Paper Award.

[CP] co-authored with F. Boochs, C. Degringy et al., “Towards Optimal Spectral and Spatial Documentation of Cultural Heritage. COSCH – An Interdisciplinary Action in the COST framework”, International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol. XL-5/W2, 2013. Presented at the XXIV International CIPA Symposium, 2–6 September 2013, Strasbourg, France.

2013

[A] ‘Muzeum wirtualne – muzeum bez granic?’, Muzealnictwo, 54 (2013), pp. 159-166, PDF, based on an invited paper presented at the Fifth Conference Cyfrowe spotkania z zabytkami. Reprodukcja cyfrowa zabytku – metody, wiarygodność, trwałość, Wrocławskie Centrum Transferu Technologii, Wrocław, 19th and 20th November 2012.

[ED] Complete Catalogue of Paintings c. 1520-1900 in the Royal Castle in Warsaw, vols. 1 and 2, by Dorota Juszczak and Hanna Małachowicz, Translated from Polish by Anne-Marie Fabianowska, Edited by Anna Bentkowska-Kafel, Arx Regia, 2013.

[A] co-authored with F. Boochs, C. Degringy, M. Hautta-Kasari, S. Rizvic, R. Sitnik and A. Tremeau, “Towards Optimal Spectral and Spatial Documentation of Cultural Heritage. COSCH – An Interdisciplinary Action in the COST framework”, International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol. XL-5/W2, 2013. Presented at the XXIV International CIPA Symposium, 2–6 September 2013, Strasbourg, France.

[A] I bought a piece of Roman furniture on the Internet. It’s quite good but low on polygons”—Digital Visualization of Cultural Heritage and its Scholarly Value in Art History, Visual Resources. An International Journal of Documentation, Special Issue on Digital Art History edited by Murtha Baca et al., vol. 29, No. 1, March 2013, pp. 38–46. DOI:10.1080/01973762.2012.761117
Cited in: Raffaghelli, J., Cucchiara, S., Persico, D., Manganello, F. (2015) Digital Scholarship: A Systematic Review of the Literature. Technical Report. Genoa: Institute for Educational Technologies.

2012

[ED] Paradata and Transparency in Virtual Heritage, co-edited with Hugh Denard, Ashgate 2012 More…
[CH] ‘Processual Scholia: The Importance of Paradata in Heritage Visualization’, Paradata and Transparency in Virtual Heritage, A. Bentkowska-Kafel and Hugh Denard (eds), Ashgate 2012, pp. 245–60.
Cited by: Antonella Coralini (2012) ‘Antichi vicini di casa. Presenze reali e virtuali nel mondo digitale’, In: L’architettura privata ad Aquileia in età romana. Atti del Convegno di Studio, Padua, 21-22 February 2011. Jacopo Bonetto and Monica Salvadori (eds). Antenor quaderni, 24. Padova University Press, Padova, pp. 639-664. PDF

2011

[A] Co-authored with Christos Giachritsis and David Prytherch, Virtual Touch. Towards an Interdisciplinary Research Agenda for the Arts and Humanities, Digital Humanities Conference, Stanford University, Stanford, CA, USA, 19–22 June 2011. In: Book of Conference Abstracts, 273-77.

[ED] Computer Vision and Image Analysis of Art II, Proceedings of the IS&T / SPIE Electronic Imaging Symposium, Hyatt Regency Hotel, San Francisco Airport, 23-27 January 2011, co-edited with David Stork and Jim Coddington, SPIE Volume: 7869, 2011, Available in book format (ISBN 9780819484062) and online (doi:10.1117/12.888808), more info….

2010

[ED] Computer Vision and Image Analysis of Art I, Proceedings of the IS&T / SPIE Electronic Imaging Symposium, San Jose Convention Center, 18–22 January 2010, co-edited with David Stork and Jim Coddington, SPIE Vol.: 7531, 2010, ISBN 9780819479242, Available in book format and online, more info…

[R] ‘Doing Unfathomable Things’: Computer Art in Britain, A feature review of Catherine Mason’s Art in the Classroom, Art Book, Vol. 17, No. 1 (February, 2010), pp. 14f.

2009

[ED] Digital Visual Culture: Theory and Practice, Computers and the History of Art (CHArt) Yearbook, Vol. 3, co-edited with Trish Cashen and Hazel Gardiner, Intellect, 2009.

[CH] ‘The Fix v. the Flux. Which digital heritage?’, in: netpioneers 1.0 – archiving, representing and contextualising early netbased art, edited by Dieter Daniels and Günther Reisinger, Berlin and New York: Sternberg Press in association with the Ludwig Boltzmann Institute, Linz, 2009, pp. 55–72, PDF; more info about the book…

[CH] ‘Zabytek wirtualny: kryteria oceny i rola Karty londyńskiej’, in: Informatyka w historii sztuki. Stan i perspektywy rozwoju współczesnych metodologii, edited by Agnieszka Seidel-Grzesińska and Ksenia Stanicka-Brzezicka (Wrocław: Wrocławskie Centrum Transferu Technologii, 2009), pp. 72-81, more info…

2008

[CH] ’Electronic Corpora of Artefacts: The Example of the Corpus of Romanesque Sculpture in Britain and Ireland’, The Virtual Representation of the Past, edited by Mark Greengrass and Lorna Hughes, Ashgate, 2008, pp. 179-190.

[CH] ‘Historyczna wiarygodność zabytku wirtualnego. Uwagi na marginesie Karty londyńskiej’, Nowoczesne metody gromadzenia i udostępniania wiedzy o zabytkach, edited by Agnieszka Seidel-Grzesińska and Ksenia Stanicka-Brzezicka, Wrocław: Via Nowa, 2008, pp. 35-47 (includes a CD).

Zob. skrót p.t.’Wprowadzenie do zagadnień Karty londyńskiej’ (PDF)

[CH] ‘Korpus rzeźby romańskiej w Wielkiej Brytanii i Irlandii’, Nowoczesne metody gromadzenia i udostępniania wiedzy o zabytkach, edited by Agnieszka Seidel-Grzesińska and Ksenia Stanicka-Brzezicka (Wrocław: Via Nowa, 2008), pp. 60-64 (includes a CD)

[R] ‘Digital Art’, A feature review of four books on digital culture, The Art Book, vol. 15, Issue 3, August 2008, pp. 6f.

2007

[S] Needs of the 3D Visualisation Community, A 3D Visualisation in the Arts Network (3DVisA) Report commissioned by the UK Joint Information Systems Committee (JISC), 2007.

[I] ‘My Way of Seeing and Feeling’, An interview with Julian Spalding, The Art Book, vol. 14, Issue 2, May 2007, pp. 16f. DOI: 10.1111/j.1467-8357.2007.00793.x

[R] ‘The Art of Wonder: A history of Seeing’, A review of the book by Julian Spalding, The Art Book, vol. 14, Issue 2, May 2007, pp. 34f. DOI: 10.1111/j.1467-8357.2007.00797.x

2006

[ED] 3DVisA Bulletin, Published by the 3D Visualisation in the Arts Network, ISSN 1751-8962 (Print), ISSN 1751-8970 (Online), September 2006–March 2008.

[ED] Futures Past: Twenty Years of Arts Computing, Computers and the History of Art (CHArt) Yearbook, Vol. 2, co-edited with Trish Cashen and Hazel Gardiner, Intellect, 2006.

[A] ‘Digital Images and ICT: An opportunity or Nuisance?’, AAH Independents Newsletter, ed. by B. Goebels Cattaneo, No. 5, February 2006, pp. 6-9.

[I] ‘The Artist Christian Nold talks to Anna Bentkowska-Kafel about BioMapping’, 3DVisA Bulletin, Issue 1, September 2006. <http://3dvisa.cch.kcl.ac.uk/biomapping.html&gt;

[A] ‘Technical Innovation in Art Historical Research: Opportunities and Problems’, A report from an AHRC ICT Methods Network seminar organised by Anna Bentkowska-Kafel and Tim Benton, Centre for Computing in the Humanities, King’s College, London, 20 November 2006, available at http://www.methodsnetwork.ac.uk/activities/act12report.html

[R] ‘Maxfield Parrish. Master of Make-Believe’, A review of the book by Alma Gilbert Smith and Joyce Stoner; ‘Trompe l’Oeil. Sky and Sea, a review of the book by Ursula E. Benad and Martin Benad, The Art Book, vol. 13, Issue 1, 2006, pp.40f.

2005

[ED] Digital Art History, Computers and the History of Art (CHArt) Yearbook, vol. 1, co-edited with Trash Cashen and Hazel Gardiner, Intellect, 2005; available as an e-book.

[R] ‘A Trick of the Eye. Trompe l’œil Masterpieces’, A review of the book by E. Hollmann and J. Tesch, The Art Book, vol. 12, Issue 3, August 2005, pp. 43f.

2004

[R] ‘Art Deco 1910-1939’. A review of the book ed. by C. Benton, T. Benton and G. Wood, published to accompany the 2003 exhibition at the V&A Museum, The Art Book, vol. 11 Issue 1, January 2004, pp. 23f.

[R] ‘Warsaw ’ by David Crowley and ‘London from Punk to Blair’ ed. by J. Kerr and A. Gibson, A review article, The Art Book, vol. 11, Issue 4, September 2004, pp. 34f.

[R] ‘Uroda kamienia’, [Exh. of sculpture by Maria Jaczyńska], POSK Gallery, London, 24 October- 25 November 2004, Dziennik Polski, 23 October 2004, p. 17.

[R] ‘The Endless Enigma. Dalí and the Magicians of Multiple Meaning’, A review of the book ed. by J.-H. Martin, S. Andreae and Uta Husmeier, The Art Book, vol. 11, Issue 4, September 2004, pp. 40f.

2003

Eighty biographical articles on Dutch, Flemish, British and other artists in Maritime Art Online, National Maritime Museum, Greenwich, gen. ed. M. Greenhalgh, 2003.

[R] ‘The Emblem’, a review of the book by John Manning, The Art Book, vol. 10, Issue 1, January 2003, pp. 66f.

[R] ‘Beyond Vision. Essays on the Perception of Art’, a review of Pavel Florensky’s writings, transl. from Russian by Wendy Salmond and ed. by Nicoletta Misler, The Art Book, vol. 10 Issue 4, September 2003, pp. 44f.

2002

[R] ‘William Beckford 1760-1844: An Eye for the Magnificent’, a review of publications accompanying the exhibitions held in the Bard Graduate Center in New York and Dulwich Picture Gallery, London; The Art Book, Vol. 9 Issue 4, September 2002, pp. 16–18.

2001

[A] ‘Moving Images, Shifting Notions. Who can trust the digital image?’, Visual Culture and the New Millenium, Proceedings of the 16th Annual CHArt Conference, Courtauld Institute of Art, London, 1-2 September 2000, London: Computers and the History of Art, 2001, http://www.chart.ac.uk/chart2000/papers/toc.html.

[R] ‘Five Centuries of Women and Gardens’, exh. and book review, National Portrait Gallery, London, The Art Book, vol. 8 Issue 2, March 2001, pp. 21f.

[R] ‘Vermeer’s Camera. Uncovering the Truth Behind the Masterpieces’, a review of the book by Philip Steadman, The Art Book, Vol. 8 Issue 4, September 2001, pp. 5–7.

2000

[R] ‘Rembrandt by Himself’, exh. review, National Gallery, London, Biuletyn Historii Sztuki, LXII (2000), pp. 671–676 (in Polish).

1999

[A] ‘Ikonologia cyfrowa – nowe oblicze starej metody’ [English summary: ‘Digital Iconology. A New Approach to the Old Method’], Ars Longa, Proceedings of the 47th Annual Conference of the Association of Art Historians (Poland) held at the National Museum, Warsaw, 19–21 November 1998, published in memory of Professor Jan Białostockied, ed. T. Hrankowska, Warsaw: Arx Regia (1999), pp. 387–409.

[R] ‘Sztuka niepełnosprawnych z Harbutowic’, [Art by people with learning disabilities], exh. review, POSK Gallery, 29 June – 16 July 1999, Dziennik Polski, 25 June 1999, p. 5 (in Polish).

[R] ‘Rzezby Marii Jaczyńskiej’[Sculptures by Maria Jaczyńska], Dziennik Polski, 11 October 1999, p. 4 (in Polish).

[R] ‘John Singer Sargent’, exh. review (in Polish), Tate Gallery, London, 15 October 1998 – 17 January 1999, Biuletyn Historii Sztuki, LXI (1999), pp. 450-7.

[R] ‘Gdzie są nadzy mężczyzni?’ [What happened to naked men?] Dziennik Polski, 15 November 1999, p. 4 (in Polish).

1998

[PhD] A Computer-aided Iconological Analysis of Anthropomorphic Landscapes in Western art, 1560s-1660s, Ph.D. thesis (CD-ROM), Nottingham Trent University (1998), includes A Catalogue Raisonné of Anthropomorphic Landscapes in Western Art.

1997

[A] ‘Anthropomorphic landscapes in 16th and 17th century Western art. A question of attribution and interpretation’, Biuletyn Historii Sztuki, LIX(1997) Nos. 1–2, pp. 69–91.

Cited in: Susan Donahue Kuretsky, ‘The Face in the Landscape: A Puzzling Print by Matthäus Merian the Elder’, In his milieu: essays on Netherlandish art in memory of John Michael Montias, ed. by Amy Golahny, Mia M. Mochizuki and Lisa Vergara (Amsterdam University Press, 2007), pp. 219–232.

[A]‘Historyk sztuki wobec ikonografii cyfrowej. Metody komputerowe w badaniach nad Grobem Pańskim w Jerozolimie’ [English Summary: ‘An Art Historian Confronted by Digital Iconography: Computerised Methods Used in the Survey of the Tomb of Christ in Jerusalem’], Jerusalem in European Culture, Proceedings of the Conference held at the Institute of Art of the Polish Academy, Warsaw, 14–17 May 1996, ed. P. Paszkiewicz and T. Zadrożny, Warsaw, 1997, pp. 549–563.

[R] ‘Making and Meaning: Rubens’s Landscapes’, exh. review(in Polish), National Gallery, London, 16 October 1996 – 19 January 1997, Biuletyn Historii Sztuki, LIX (1997), Nos. 3-4, pp. 267-70.

1996

[CH] ‘Millais: Digital and Interactive’ in: J. E. Millais. A Centenary Exhibition, ed. Claire Donovan and Joanne Bushnell, exh. cat., Southampton Institute and Southampton City Art Gallery, June/July 1996, pp. 16–21.

Fifty five entries (historical surveys and short entries) on Polish art, The Grove Dictionary of Art, Macmillan Publishers, 1996.

[R] ‘Making and Meaning: The Young Michelangelo’, exh. review (in Polish), National Gallery, London, 19 October 1994 – 15 January 1995, Biuletyn Historii Sztuki, LVII (1996), No.1-2, pp. 180-1.

[R] ‘Arkadia’, exh. review, Polish Cultural Institute, London, Dziennik Polski, (in Polish) 18 January 1996, p. 3.

[R] ‘Picasso: Sculptor/Painter’, exh. review (in Polish), Tate Gallery, London, 16 February – 8 May 1994, Biuletyn Historii Sztuki, LVIII (1996), Nos. 1-2, pp. 199-200.

[R] ‘Salvator Dali: The Early Years’, exh. review (in Polish), Hayward Gallery, London, 3 March – 29 May 1994, Biuletyn Historii Sztuki, LVIII (1996), Nos. 1-2, pp. 200-1.

[R] [with Agnieszka Whelan] ‘The Artist and National Identity in Poland and England’, An English-Polish conference review (in Polish), Birkbeck College, London, 5-6 April 1995, Biuletyn Historii Sztuki, LVIII (1996), Nos. 1-2, pp. 233-6 (in Polish).

1995

[R] [with Wiktor Tomaszewski] ‘Rzezba i medycyna’ [‘Sculpture and Medicine’], exh. review, Dziennik Polski, LVI, No. 3 (18), 21 January 1995, p. 12 (in Polish).

1994

[R] ‘Zurbaran: Jacob and his Twelve Sons’, exh. review, National Gallery, London, 9 March – 22 May 1994; Biuletyn Historii Sztuki, LVI (1994), No. 3, pp. 312-3 (in Polish).

[R] ‘Goya: Truth and Fantasy. The Small Paintings’, exh. review, Royal Academy of Arts, London, 17 March – 12 June 1994; Biuletyn Historii Sztuki, LVI (1994), No. 3, pp. 313-4 (in Polish).

[R] ‘Tęcza – kolory nadziei’, exh. review, Dziennik Polski, LVI, No. 298, 14 December 1994, p. 12 (in Polish).

1993

[R] ‘Brief Encounters: Robert Campin’, exh. review, National Gallery in London, 20 January – 28 March 1993, Biuletyn Historii Sztuki, LV (1993), No. 1, pp. 121-22 (in Polish).

[R] ‘The Paper Museum of Cassiano dal Pozzo’, exh. review, British Museum, Dziennik Polski, 22 June 1993, p. 6 (in Polish).

[R] ‘Ernst Hans Gombrich, “A Lifelong Interest. Conversations on Art and Science with Didier Eribon”, London: Thames and Hudson 1993′, a book review, Biuletyn Historii Sztuki, LV (1993), No. 4, pp. 525-6 (in Polish).

1986

[A] ‘Portrety króla Stanisława Leszczyńskiego i jego córki Marii, królowej Francji’ [‘Portraits of King Stanislaw Leszczyński and his daughter Maria, Queen of France’, Kronika Zamkowa, 3, 1986, pp. 3-7.

1985

[A] ‘Symbolika drzewa. Problematyka emblematycznej interpretacji malarstwa’, Rocznik Historii Sztuki, XV (1985) pp. 305-15 (English Summary: Symbolic Meanings of the Tree. Dilemmas Resulting from the Emblematic Interpretation of Paintings’).

1982

[A] ‘Navigatio vitae. Elements of Emblematic Symbolism in 17th Century Dutch Seascapes’, in: Bulletin du Musée National de Varsovie, XXIII, 1982, pp. 25-43 (an English version of the chapter published in Polish in 1981).

Cited by: Lawrence Otto Goedde, Tempest and Shipwreck in Dutch and Flemish Art. Convention, Rhetoric and Interpretation, The Pennsylvania State University Press, University Park and London, 1989; I/n.26, n.40, p. 246.

1981

[CH] ‘Navigatio vitae. Elementy symboliki emblematycznej holenderskich krajobrazow marynistycznych XVII w.’, Ars Emblematica, ed. J. Michałkowa, exh. cat., National Museum in Warsaw, Warsaw 1981, pp. 27-39.

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